Thoughts on wine writing

Erica

Had a discussion with a very senior (sic!) fellow wine writer yesterday on the subject that I don’t taste or review all the Bag-in-Box wines released on the Swedish market. He found my attitude egocentric and snobbish since 60% of all wines sold in Sweden are in box.

I, on the other hand, find that my goal is to excite people, to get them to step outside of their comfort zone, to try something new and to value the stories around the wines. To experience something. Box wines seldom fall in that category. On one thing we agreed – neither one of us ever buys box wines to drink ourselves. So my thought is, why should I get you guys to buy wines that I won’t buy myself? I’ll continue to leave that kind of reviewing to others. Hope you approve.

Another wine writer with which I have a few things in common is Jamie Goode. I guess he was feeling it too, since he wrote a post last week titled About Most Wines There is Little to be Said. Read it!

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Husmoderns Bok – diving into Swedish Gastronomic History

Husmoderns Bok

Of all the beautiful things I received from my 90-yearold grandmother when she moved from her house, one piece has laid undiscovered until now. Rather, I knew she had given me her mother’s sister’s cook book, but I hadn’t discovered all the amazing treasures between the tattered covers. Great grandaunt Märta was the matron at the prestigious boarding school Lundsberg in Sweden. It’s where the royals have sent their princes, and quite a conservative place. There is much to be said against this bastion of outdated values, but that does not make her cook book from 1907 any less valuable. … Continue reading

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Back to basics – and the show goes on

Erica

After six months of writing weekly for the Swedish site Vinbanken along with my print articles in Allt om Vin (three in the current issue, buy it!), Meininger’s Wine Business International, and most recently, Decanter, I realized I am treating my blog badly. Additionally, I want my writing on the web to be in English so I can share it with my friends and followers all over the world, and Vinbanken needs to go back to being all Swedish, so we decided to part ways. Now I will sincerely try to get a more even frequency of posts here on twosisterswinetripping. (Cajsa, you too, get your lazy ass back online, you hear me??)

Two of my more recent posts on Vinbanken were on South Africa. One on the carbon neutral winery Backsberg, with the darling Simon Back, which you find here. The second is on the IPW system in South Africa, their very own certification for sustainability. I was critical and sceptical at first, but the program really has made a difference. I had many good, long conversations with Danïel who runs it. Read the article here.

My last post for Vinbanken, in Swedish, was on the couple who run Sweden’s first “natural wine” importer. They’ve had a challenge getting started but now earn well-deserved respect. Not from everyone, but definitely from me. You can read it here.

Simon Back

The week before, I wrote on a unique meeting of the sommeliers of the top Nordic restaurants including Noma, Mathias Dahlgren, Maeemo, Frantzen-Lindeberg… There were more Michelin stars represented in that room than people. Cool to be the only outsider attending. Will write an article or two for international press, but an overview from the meeting can be found here.

If you don’t want to read all those posts, take a look regardless. There are some dreamy pictures to rest your eyes on while the rain is pouring down outside. If I mean the handsome boys or the vistas, I’ll leave unsaid ;)

So now, what to do with this blog? What do you want us to do/change/continue with? Originally, it was intended to chronicle the work Cajsa and I had (or have; finally back on the ball again) getting our TV show started. I’ll be damned if I can’t get that thing on the road. After a life raised in TV-production, and a passion to the core for wine, winemakers, wine regions and yummy food, I know we can make a good show. Plus, to be honest, Cajsa is seriously funny. As in laugh-out-loud funny. I couldn’t do it without her. And why would I want to. (Well I know why – have you MET her before coffee in the morning??).

Swedish sisters at even more Swedish Midsummer. Pictures from later in the evening are censored.

We are talking to a major international production company and I think we are at the point where we all agree on the need for a pilot show. The channels say wine is boring – I know it’s nothing of the kind and that we can convey it on TV. But a half-hour episode speaks louder than I ever could. Now the question is financing. My idea is that we do it in South Africa while I’m down there in January-March. We know ways to reduce the budget but still need well more than a few thousand dollars to cover costs. If you know a company which might be interested in sponsoring a high-end, glossy, fun lifestyle program with substance (international market, including Scandinavia), do contact me! We’ll get them their money’s worth.

So, again, any feedback you might have on what you want to see more of on this site, let us know.

 

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Sustaining South Africa for the future

At the Cape Winemakers Guild pre-auction tasting, Adi Badenhorst (left), David Nieuwoudt from Cederberg and David Trafford.

The trip to South Africa was a real eye-opener for me. I had written off the country as a producer of mainly overripe, overextracted, “created” bulk wines. How unprofessional of me to cast such a judgement before visiting! The South African wine industry is moving by leaps and bounds, and there are bottled wines in the somewhat higher price categories (between 10-30 USD is the most interesting range in my opinion) that converted me completely.

Wines from the grouping called The Swartland Independents were my favorite new finds, along with Elgin producers such as Shannon, Oak Valley and nearby Ataraxia, as well as the chenin blanc from Alheit under the name of Cartology. Fablé is a producer I’d like to take a closer look at. (For more description of favorites, look here.)

In my view, the future for South Africa lies in re-branding themselves, just like Australia has done, and washing off the image of being only a cheap bulk-wine producer. To be really interesting as a quality wine nation, the growers need to make more money for focusing on quality instead of quantity, which is currently not the case. It might take time but things seem to be moving in the right direction.

Miles Mossop of Tokara and Niels Verburg of Luddite. Mini-rockstars, the lot. Miles is even autographing his bottle!

So, how can SA effectuate this change? Here is my humble (eh…) opinion: One is taking advantage of the few old vines left to get a more interesting depth and concentration in the wines without overripening the grapes. The age of the vine really impacts the complexity of the final wine – the older the better. Fewer grapes are produced, however, which reduces yield and thus profitability. South Africa is plagued by too quick a turnover of vines – most are replanted shy of 20 years!  Maybe because of leafroll virus, maybe because of demands on yield, maybe both. But the old-vine wines are exceptional, and people like viticultural “legend” Rosa Kruger are doing their best to discover and preserve them. Hats off to her!

I would like to see more focus on the grapes that are express themselves exceptionally here and thus make their own mark rather than just trying to copy other (French) regions. Rather than just bordeaux blends (merlot, cabernet sauvignon etc), sauvignon blanc and pinotage, I’d like to see more of the chenin blanc and syrah in particular (a couple of chardonnays make the top list as well in all honesty, and very few pinotage, farmed just right).

I’d like to see a stronger move in the direction of hands-off winemaking and more sustainable work with the vineyards (less spraying, more focus on the soil health). Of the best wines of the show, few had any added acidity or sugar, though this is common in South Africa. To those who say you can’t farm organic (or in that direction) in SA, or who say that you can’t make wine without added acidity or added yeast or added whatever – I throw the gauntlet. The best wines I found, tasted without knowing the producer, were pretty much right up the good-soil-minimal spraying-hands-off-winemaking alley. They were also the most talked-about wines of the Cape Wine show, even by the writers who are generally traditionalists.

Su Birch, director of WOSA (Wines of South Africa) who is doing one helluva job with communicating the virtues of SA wines.

Communication might be the big challenge – South Africa needs to not only show the ability to make really interesting quality wines but also get this message all the way to the consumers. The US is probably a challenge, but even the UK and Sweden. Any good importer who reads this and wants my take on which wineries to look at, let me know. For my part, I will do my best to transfer my new-found excitement for South African wines to my readers, followers and through tastings (or tours – you need to see this country first hand!). South African winemakers – you deserve every bit of the recognition which is hopefully coming your way!

PS Also see my post on the IPW sustainability seal from South Africa on Vinbanken here.

The River Runs Through It. Shannon vineyards in Elgin.

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Driving miss Daisy (and the Swartland Independent Revolution)

Driving to Cederberg.

My trip around the winelands of South Africa is a real treat. First of all, this is a truly magnificent country – extremely beautiful. Secondly – the people are more welcoming than you could ever imagine.

Even when I show up a day early at a remote vineyard (Cederberg) or come for a booked tasting so late it has to be dinner and an overnight stay (AA Badenhorst) they don’t even raise an eyebrow but smile and take me in. Great people.

Craig Hawkins, winemaker at Lammershoek with one of their cows. For fertilizing the vines and feeding the farm.

And the real eye-opener is the wines of these independent producers. Especially in Swartland, the Swartland Independent Producers are a really cool group who might have a good profile but who I discovered because of their wines. AA Badenhorst, Lammershoek, Mollineux, Badenhoustkloof (and Porseleinberg), Eben Sadie… All excellent, excellent producers with wines with personality and a sense of place. The chenin blancs produced here are exceptionally interesting white wines. and the Chenin Blanc from Lammershoek and the white blends from Mollineux and AA Badenhorst are ones to chase down.

On a separate note, the long drive to Cederberg is well worth the time (and the bumpy dirt road). The views are breathtaking, and I almost felt like I was back in Utah with the rocky landscape. Would have liked to stay and hike around the area. Next time. The conservancy was cool too with baboons, birds, a little mouse baby I tried to save as it had fallen out of the nest…

Now I’m off to Cape Town for the next round of discoveries. Very excited. (Oh, and for those who care, I HAVE found good coffee. David at Cederberg makes great stuff in a fancy machine he got as a 40th birthday present.)

I crashed Adi Badenhorst’s place at 6.30 PM so he was kind and invited me for dinner and to spend the night in the guest house. Cool winery, sweet family, nice wines. Glad I went.

Adi Badenhorst’s daughter and nephew – being a kid in a winery looks like fun!

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Cape Wine 2012 – South Africa’s hidden gems on display

Erica

Radio silence thanks to messed-up internet connections. “Welcome to Africa” said one of my twitter friends. It’s rainy and I packed open-toed shoes and flimsy tops. The coffee tends to be instant.

Me at Avondale, South Africa

Apart from those three minor details, do you want to know how I feel about South Africa? It’s flippin’ heaven on earth! (Or “Hemel an aarde” in Afrikaans if I got it right, it’s an adorable language that I try to understand with limited success).

The setting, with breathtaking mountain backdrops and a flora to make my mom (a botanist) ecstatic for years, makes for some of the most beautiful vineyards (called “farms”) I have ever seen. And the wines? Talk about getting my prejudices shattered.

In Sweden, South African wines comprise almost a fifth of the sales by volume. Unfortunately, most of it is exported in bulk and sold as Bag-in-Box, which is also what South Africa tends to be known for. Only five percent of the South African wine sold in Sweden is over 10€. A crying shame if you ask me. This week at the CapeWine fair in Cape Town, I have tried so many wines by the bottle that I would be proud to serve at a nice dinner with wine-loving friends. Especially two varietals have impressed – the syrah/shiraz and the oaked chenin blancs. And many at prices I find QUITE attractive. Many local sparklings, nicknamed MCC (Methode Cap Classique, with second fermentation in bottle) are nice at around 10-20€, though not ready to compete with fine champagne. But seriously, in the sun at the prestigious Nederberg Auction, I was not complaining about the Pongracz Brut rosé.

I have posted on Vinbanken from one visit (when I had an hour time and some decent internet). It’s from the first biodynamic farm in South Africa, the excellent Reyneke. Read the article here. And try the wines if you find them.

So, this was a quick check-in from the cape. More will come. I still have a whole, lovely week. But first – lunch at Muratie and a 90 minute massage at the hotel spa. You can be jealous now.

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Long days waiting (Dear Diary…)

New-found American friends coming to test a mini-harvest.

The unexpected break in harvesting to wait for ripeness has given us time to do other things. There is no lazying around – we are still putting in 10-12 hour days at the winery (or elsewhere). The best part of the break is that it creates space for new discoveries. The other day we welcomed a group of Americans and some online friends of mine (Mike Tommasi and Gabriella Opaz) for a quick course in harvesting and a great BBQ with lamb grilled over old vines, with fresh herbs from the edge of the vineyards.

The next day we had the unique opportunity to visit the mythic Rayas in Chateauneuf du Pape, spending two unexpected hours talking to winemaker Emanuel Reynaud and tasting the most elegant barrel samples I have encountered since Ridge. The 2011s were singing, and though I parted with a bottle of 1999, I would have just as happily taken a barrel sample to drink.

Bernard Duseigneur & Emanuel Reynaud in cellar of Rayas

Hamish Wakes-Miller and Olivier talking to winemaker of Seigneurie de Peyrat

A quick trip to the  Languedoc gave me the chance to meet up with Hamish Wakes-Miller and take a look at the new wines of Seigneurie du Peyrat, as well as meet the lovely Marie Chauffray who runs the excellent biodynamic boutique winery La Reserve d’O. Her vineyards were some of the most beautiful I have seen – secluded on a hilltop above the little village of St Saturnin with a breathtaking view of the valley below.

Today I did what I always do when in France – hit the market. Delectables galore. The dog at the house now loves me because I smell of sausage – bought a whole truckload of really tasty ones. With Bernard Duseigneur and the chef de cave (cellar manager) Adrien plus one of the harvest guys, Midas, we tried a newly opened wine bar in the cute town of Uzes with mainly natural wines. Two bottles: One hit, one miss, as it often is with natural wines… But at least it is never boring! And the food was amazingly good – simple but perfectly made from the freshest possible ingredients. The guys then raided the local Cavistes (wine shops) for natural wines to use for a comparative tasting. It’s a good idea – tasting wines as a winemaker in order to know where you want to go and where you don’t want to go.

Soon, the waiting is over. Monday we rise before dawn again and get our hands dirty. Can’t wait.

I made a delicious fig tart with figs from the garden and an almond-flour base for the BBQ with Gabriella Opaz, Mike Tommasi and their friends.

Adrien De Mellot from Domaine Duseigneur with delectable cold cuts

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Surveying the lay of the land

Bernard Duseigneur at Domaine Duseigneur tasting the grapes for ripeness.

The learning curve is quite high when one is actually in the vineyard rather than trying to study from a book. In all the time I was in school, I didn’t memorize the visual difference between syrah, cinsault or mourvédre. Well, now I could go out into a vineyard and tell you. From the leaves, from the grape size, from the bunch shape. Syrah, with its tight bunches is nice to hold; cinsault has big fruity grapes that are a pleasure to snack on. Cool. I can tell you which vine is hit by powdery mildew or botrytis rot, which one has been attacked by grape catepillars, and which one is giving up from heat stress. I can tell which grapes won’t ripen any further and which ones are probably too green to harvest. All in a day’s work.

Surveying today included walking (stumbling, rather, the boulders in these parts are major) up and down rows of grapes in different plots, tasting the grapes and putting others into plastic bags for analysis. Sometimes I could tell before tasting that a plot would be less ripe than the previous one – the air was cooler and there was more shade. These had a fresher acidity still, even if the fruit flavors were clearly there. If I chewed a grape and the skins were a bit tough and the pits left a dry feeling in the mouth, they were not ready to harvest. If chewing the grape skins and pits left no feeling of toughness or green, dry flavors and the most exposed grapes were starting to taste a bit like jam, it was time to get going quick or they would over-ripen.

Grapes from different plots waiting for analysis. In the background, a pensive Pierre Charon, one of two winemakers at Domaine Duseigneur.

Unfortunately, none of the grapes had left the dry, green tannin completely behind once the pits were chewed. I might have thought so, but the expert told us otherwise. The consulting oenologist, the famous Philippe Cambie, only had to chew a few grapes per bag to tell us we were days off. The harvesting had to be halted. Ah, the disappointment! So of my 10 days down here, maybe I will end up harvesting for two. And the 25 people employed for the harvest have to lounge around for a bit longer, waiting, waiting.

In a way, it is a good reflection of the life of a winemaker. They wait eagerly for harvest and when the factors finally add up, something unforseen happens. Luckily, it doesn’t seem like it is about to rain here now – it is rather warm and sunny which reduces the risk for rot. We saw only two spots of the rot botrytis. Otherwise I can only imagine the anguish. Imagine you have spent an entire year preparing and taking care of the vines to get the best possible grapes. Then one day at harvest time you stand there, forced to make the decision to pick five days too early or to lose half the crop to rains and the ensuing rot and dilution. Damn, I admire them. Personally, I’m not sure I’d have the nerves.

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Harvest hand day 1: Alive!

Survived the first day and even enjoyed it! Plus, learned lots about what happens when a vineyard is mismanaged and the diseases that can hit it. Read my report of it on Vinbanken, here.

So, day one of harvest hands looks like this:

Hands after one day of harvest. Expect a progression of photos. Still looking ok except a quick snip.

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Harvest nerves

I’ve arrived in France, where the summer is still in full swing. The daytime is hot and the evenings balmy – quite the difference to the crisp fall weather Stockholm was having when I left. I spent my first day at a harvest party at the Domaine Virgile Joly in the Languedoc. It’s funny how I go to a teeny village in another country and end up meeting people I know through twitter or email only. There was Louise Hurren, Ken Payton, Virgile himself (who invited me a long time ago through twitter to come and visit) and Andrew Jefford (who was the reason I ended up at this particular party). Andrew is possibly my favorite wine writer because of his philosophical and observant takes on trends in wine, not to mention his beautiful, almost poetic command of language. It was a pleasure spending some time talking to him face to face. Though in writing this post, late at night before bedtime, I feel I go against one of the things he said about blogging also requiring more attention and effort in order to be good, in order to be read years after the fact, in order to serve the readers more than the writer. Alas, I beg forgiveness and write nevertheless.

I want an account of how I feel about this harvest idea now, the eve before it commences. I’m nervous. Worried. What if I’m too much of a wimp? What if my knees get tired or my back gets sore – will I give up? What if I end up with all kinds of blisters and chafes, and end up whining about it like a spoiled kid? Sunburn? Heatstroke? Seriously, what if I need to go to the loo when we are in the middle of harvesting a large vineyard miles from the winery??? It feels like a test of my physique and my character, and tonight, this computer-bound city girl is not sure she will pass.

My host just told me we will start picking at 6.30 am to keep the grapes cool and fresh. I only get up before 8 am if I have a flight to catch. This will be interesting indeed… Lights out!

PS made some fig jam from the garden of Bernard Duseigneur, the owner of the Domaine Duseigneur where I am harvesting. Such a luxury!

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